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    <loc>https://www.aleksandravrebalov.com/work</loc>
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    <lastmod>2026-03-24</lastmod>
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      <image:title>WORKS - Xenia and the Bishop (2017)</image:title>
      <image:caption>Commissioned by Harvard/Fromm Foundation for Sylvan Winds (NYC) and a narrator.  The piece was inspired by the Cinderella story.  I finished the music a while back, but kept searching and revising the textual component.  It felt increasingly pointless to use the unchanged, old fairy-tale although I was attached to it as it was the very first book I read by myself at age 4.  Its short paragraphs accompanied with beautiful drawings carried magic for me over many years.  By doing the piece on Cinderella I had wanted to make an homage to childhood.  Then in the current climate of examining gender roles and stereotypes in our culture I felt that our Cinderella needed to be of a different kind.  I realized that the stories and fairly tales we share with our children are the stories that they adopt as miniature models of life's workings, human behavior, and character archetypes.  So instead of reaffirming Cinderella, a beautiful and helpless girl who is saved by the prince and a fantastical creature/fairy godmother, I wanted to show a girl who can depend on her own resources and talents, historically not often attributed to women and girls.  So I f created Xenia -- a heroine who is different, shy, good natured, but also brilliant, and who finds her community and fulfillment thanks to her secret passion -- chess!</image:caption>
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      <image:title>WORKS - Vrebalov with gusle during the "hold me, neighbor" workshop in Carnegie Hall.  Photo: Biljana Ustic</image:title>
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      <image:title>WORKS - Sketch for the first act of Abraham in Flames</image:title>
      <image:caption>Inspired by Iranian poet, Ahmad Shamlou, Abraham in Flames is a new opera about our search for our true selves, conceived/created and written by Niloufar Talebi with composer Aleksandra Vrebalov and director Roy Rallo. Abraham in Flames world premieres on May 9-12, 2019 at San Francisco’s ZSpace.org. The completed opera is a 70-minute work written for Young Women’s Choral Projects, Merola Opera Program soloists, and musical ensemble including the Living Earth Show.</image:caption>
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      <image:title>WORKS - Vrebalov - Lullaby from Opera Mileva</image:title>
      <image:caption>Lullaby for Einsteins’ daughter Liserl who was given for adoption and died as an infant. Anne-Carolyn Bird and Sara Heaton, sopranos; Choir of Trinity Wall Street; Ted Hearne, conductor, BAM Harvey Theater 2013</image:caption>
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      <image:title>WORKS - The Knock (2020)</image:title>
      <image:caption>Music by Aleksandra Vrebalov Libretto by Deborah Brevoort The Knock is a one-act opera that tells the story of a group of military wives awaiting news of their deployed husbands. ‘The Knock’ is the expression used by military spouses for a death notification. The libretto is based on years of interviews conducted by librettist Brevoort with spouses of soldiers and takes the audience into the lives of America’s military spouses, a group not yet seen on the opera stage. The Knock was originally slated for a stage production, but when everything shifted due to the pandemic, the company pivoted. Ryan and Tonya McKinny were tapped to serve as Director of Photography and Line Producer. Alison Moritz, original director for The Knock, directed the work in this new format, and Lidiya Yankovskaya conducted recording sessions with the The Glimmerglass Festival Orchestra. Official Website Casting, Instrumentation The Knock is co-commissioned by Cincinnati Opera through a grant from the Andrew W. Mellon Foundation. The film was made possible by the generous support of The Andrew W. Mellon Foundation, Howard and Sarah D. Solomon Foundation, Ted Snowdon and Duffy Violante, Thomas C. Ragan, Van Broughton Ramsey and Robert Nelson, and two contributors who wish to remain anonymous.</image:caption>
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      <image:title>WORKS - Aleksandra Vrebalov: This Kiss For The Whole World (excerpt)</image:title>
      <image:caption>Aleksandra Vrebalov: This Kiss For The Whole World (excerpt) 2022 Conducted by Daniela Candillari Cabrillo Festival Orchestra Live performance on August 2, 2025 Santa Cruz, California This is a looped one-minute excerpt. From Program Notes – SYSO Premiere of Vrebalov’s “This Kiss for the Whole World:” "....Vrebalov remained interested in themes of strength in humanity Beethoven exalts in his 9th Symphony. With all current events considered, Vrebalov felt compelled to draw a connection between that moment in time and today. The title of the work, “This Kiss for the Whole World,” is a direct translation of a line from Schiller's Ode to Joy, sung by the choir in Beethoven’s 9th Symphony. Using this direct reference, and in its evocative suggestion that music can be something as loving as a kiss for mankind, “This Kiss” offers that the symphony orchestra and art can still be as powerful a salve against struggle as they were for Beethoven and countless other artists throughout history. Of the work, and the present moment in history, Vrebalov said, “It is a difficult time for everyone, particularly for young people, who are coming of age with a distorted image of what humanity can and should be. I wanted to offer them something beautiful and noble drawn from our shared history — a reminder that we can turn to art for consolation and for enduring examples of how to be, from moments when artists, just as they do today, consciously stood on the side of humanity.”</image:caption>
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      <image:title>WORKS - angels everywhere, mixed media, vrebalov, 2016</image:title>
      <image:caption>Missa Supratext (2018) is a nontraditional choral work for girls’ chorus and string quartet (with bells, Tibetan bowls, and musical saw), premiered by the Kronos Quartet and the San Francisco Girls Chorus. The title translates as “Mass Above Words,” and the piece deliberately abandons semantic language in favor of invented syllables and vocal sound. The chorus imitates and interacts with the quartet, creating a non-hierarchical texture in which voices and instruments merge as equal agents in the sonic field.</image:caption>
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      <image:caption>http://icarusfilms.com/if-zero</image:caption>
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      <image:title>WORKS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>WORKS - Make it stand out</image:title>
      <image:caption>disfluencies (2016) sketch</image:caption>
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  <url>
    <loc>https://www.aleksandravrebalov.com/biocv</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-28</lastmod>
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  <url>
    <loc>https://www.aleksandravrebalov.com/new-page</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-28</lastmod>
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      <image:title>CD/DVD - Xenia and the bishop</image:title>
      <image:caption>for wind quintet and narrator on RESONANT WORLDS Performed by Sylvan Winds Music by Brown, Vrebalov, Griffin and Bukvich Released by ALBANY RECORDS, December 5, 2025</image:caption>
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      <image:title>CD/DVD - My Desert, My Rose</image:title>
      <image:caption>Adam Quartet (NL) - A Single released on Better Company Records August 27, 2025</image:caption>
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      <image:title>CD/DVD - ANGELIC INCANTATIONS</image:title>
      <image:caption>for suka and vocal octet On Nowe Oblicza Tradycji Performers: Maria Pomianowska, suka and Simultaneo, Karol Kisiel, conducting Music by Praulins, Rocławska, Vrebalov Published by Polish Radio 2024</image:caption>
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      <image:title>CD/DVD - Constellation Hartig</image:title>
      <image:caption>for violin and piano ON DARK VELVET Performers: Julija Hartig, violin and Reineke Broekhans, piano Published by Challenge Classics 2022</image:caption>
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      <image:title>CD/DVD - DANUBE ETUDE</image:title>
      <image:caption>for prepared piano on NOVI SAD: NEKOLIKO SKICA, PONEKA SLIKA I JEDNO TUMACENJE Performers: Branka Parlic and Natasa Penezic, piano Published by ReKonekcija 2022 Sponsored by City of Novi Sad European Capital of Culture, HEROINES, 2022</image:caption>
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      <image:title>CD/DVD - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5caf3965e666697342dc5031/1609615776453-HBLYPO55PTITSCVDR5CO/Screen%2BShot%2B2021-01-02%2Bat%2B8.24.14%2BPM.jpg</image:loc>
      <image:title>CD/DVD - Indigo Codes</image:title>
      <image:caption>for solo piano performed by Mihajlo Zurkovic, on Novosadske Kompozitorke Vol. 1 published by ReKonekcija with funding from the City of Novi Sad, CD, December 2020</image:caption>
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      <image:title>CD/DVD - Pannonoia Boundless</image:title>
      <image:caption>for string quartet on Gadrew Way Released in 2020 on Garbage Records</image:caption>
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      <image:title>CD/DVD - My Desert, My ROse</image:title>
      <image:caption>on LIVE FROM NEW YORK IT’S SYBARITE5, performed by Sybarite5, on Bright Shiny Things, CD and Vinyl, 2020</image:caption>
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      <image:title>CD/DVD</image:title>
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      <image:title>CD/DVD</image:title>
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      <image:title>CD/DVD</image:title>
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  </url>
  <url>
    <loc>https://www.aleksandravrebalov.com/sketches</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-23</lastmod>
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      <image:title>SKETCHES</image:title>
      <image:caption>Our Voices, 2018</image:caption>
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      <image:title>SKETCHES</image:title>
      <image:caption>Sacred Geometry, 2018</image:caption>
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      <image:title>SKETCHES</image:title>
      <image:caption>Sacred Geometry, 2019</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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